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“But more widespread involvement in acts of terror by members of the PA security services and the armed Fatah wing Tanzim is a nightmare scenario that has worried the Israeli defense establishment for months. In practice, all the relevant Israeli defense agencies … constantly stress the need to preserve the excellent security coordination with the PA,” he writes. “It’s still not certain that a new trend is emerging, although the assailant’s identity is likely to serve as fodder for Israeli public diplomacy in its attacks on the PA and its demands that PA President Mahmoud Abbas stop the terror. While the attack was seemingly a one-off, Amos Harel writes that some fear it may be a harbinger of a sea change in the four-month-old wave of violence. What the paper does lead with is the more immediate threat in the West Bank, following the shooting of three soldiers by a Palestinian security officer. Haaretz, which buries (get it? Buries) the story on the bottom of page 4, tops its article with one of those technical details Ganzer got into, namely that the Defense Ministry has committed to a timetable for developing new technologies to help uncover tunnels being dug by Hamas into Israel. “There have been discussions with Defense Minister Moshe Ya’alon on constructing a barrier, and discussions have taken place in the National Security Council and the Knesset Foreign Affairs and Defense Committee, and the general cost of the barrier has been approved, but here we enter into technical details.” “Every complaint of residents in the area on hearing digging sounds that was checked by the IDF has come up negative,” he’s quoted saying. In answer to that, the tabloid offers testimony from Defense Ministry representative Shlomo Gantzer, who told a state control committee meeting held near the Gaza border yesterday that residents who think they hear digging sounds under their homes may be mistaken. Yet the paper also quotes politicians critical of Netanyahu, like Labor’s Omer Bar-Lev, who asks why Netanyahu is dilly-dallying. The character development was very satisfying. The storyline was amazing and from what I understand, almost entirely factually based on the history of the Bohemian region in 1403. I only took a couple of shots, but one of them ended up being a headshot, which I only knew after I climbed the ladder and scaled the wall. Our troops placed a ladder to scale the walls and I stood on the ground below, trying to hit enemies shooting arrows down on us. One mid-game, and one at the final battle last night. When I got lucky enough to make an amazing shot with my bow, it was one of the most satisfying feelings. I much prefer turn-based, but the way they designed combat in KCD, I really took a liking to it. It's definitely got weak points, but the overall experience and the amount of fun I had puts it right up at the top. There's plenty of secrets, caches and loot in the massive forests, so just roaming the woods and stumbling upon these things is motivation enough.Īs for the game, I'd probably rank it right up there with my favorite RPGs of all time. It's such a realistic, livable world that I could imagine just playing the game by"living" in it without any quests whatsoever. Since I am free to roam the world, I may end up doing a few more side quests, DLC quests and maybe following some treasure maps. I finished the main quest and epilogue last night. It was actually the only game I played during those 6 months. Unreal Tournament Gold (Single Player campaign only, obviously)ġ58 hours and 24 minutes in about 6 months. No One Lives Forever: Game of the Year Edition Red Dead Redemption 2 (Thinking this one will be next)ĭoom Eternal DLC (when there is a crack to play without the drm)Īrcanum: Of Steamworks and Magick Obscura Possibly bore myself to death with Halo 2+ The map is very large and I feel like I haven't seen much of it even at 58hrs. Played the game on hard all the way through except for one fight during the parade where I had to drop the difficulty. Ran well enough to play at 3840x1600 on my 1080ti although would have been nice to play on a new video card if they were available and not paper launched. Only two things I can recall was falling through the map once and no notice for what button to press to leave a braindance. Tons of gigs, crimes, agent saboteur things to do but I've completed all the story missions.Įxperienced no game breaking bugs or much oddness at all really. As for Git, I'm pretty sure you could use it easily- and I noticed there's also a community-supported Git integration plugin. It is backed by plaintext: markdown files in folders. It's a product, not a service (they do offer their own paid syncing service though) I mentioned this in another subthread, but have you checked out Obsidian ? I haven't found a good fit yet, but I haven't explored the entire space. Tl dr: git + markdown data model with a bunch of bookkeeping, indexing, and tooling on the side This is a whole set of concerns all on its own. Images and media can be uploaded to a secondary service that handles indexing, hosting, backups, and thumbnail generation. Indexes and links should update as a post commit hook or async job Despite all of the ancillary indices and support mechanisms, it must remain CLI/vim editing friendly. Bonus if statically rendered snapshots are supported. Publish to a public or private website. Sync over git / github with easy diff fixing Less important, but also enforces that git, files, and a simple set of indices are the core data model. It should also support editing from the browser and saving back to git. Server + browser interface (mobile friendly). When pages are updated and their tags change, the system automatically handles the bookkeeping. These get indexed and can be bulk managed. Bonus if it supports hierarchical categories. Multiple tags / categories can be added to any page. If a page is renamed, all hyperlinks to it must automatically update. Hyperlinks to articles that show up red if the page doesn't exist (yet). Explorable and manageable on the filesystem. Backed primarily by git and plaintext files, not a database. These are the features I'd like in a wiki / personal knowledge engine: too i suppose (you're just drafting notes on the road and saving them up to someone e lse's server/cloud). Also, if you are not an adherent to open source software, my workflow can also be used via dropbox, box.com, onedrive, etc. so you are not stuck only with the nextcloud notes app. If you use nextcloud, you could also use other text editors on mobile phone like joplin, qOwnNotes, etc. Any headaches in managing my own nextcloud instance (and just like managing any of your own infrastructure, there are always costs), are outweighed by all the features that i legitimately use/benefit from nextcloud. Side note: i use nextcloud for general file synching, rss/feed reading, and other functions.so it was not setup only/specifically for notes.the note taking just came along as an extra benefit. I do lack some advanced features that zim wiki would bring, like linkages, some color formatting, styles.but for my workflow i found them not to be ultra necessary anyway. For actually synching and drafting of the text/note files, i have the nextcloud mobile app as well as the nextcloud notes app on my phone ( ).so now i can jot down notes anywhere that i carry my phone. I draft conventional old text files (though i do use markdown).and save the files in a nextcloud folder to enable sync anywhere. My intent was for family (only 3 people) and i to use it.but honestly, most of the time it is only me. I actually have my own little nextcloud instance running on a $5/month digital ocean virtual private server. I have ones for all kinds of things, like interviewing, 1-1s, and architecture design outline. I could also export to Markdown if I ever wanted to migrate. The syntax feels a little strange to me but I rarely need to edit raw files. But once you get streamlined it just works. Takes a little configuration out of the box to get just right, system dependencies, links opening in right browser, plugins, shortcuts, fonts. Pasting code will be garbled or auto-create tags unless you use the source view plugin or paste verbatim. There are a few quirks I've gotten used to over the years though: Love that it's just text files so I can manually edit them, version control, sync in private cloud service, etc. It's also my GTD system with tasks plugin. I use quick notes and journal shortcuts many times a day to quickly jot down a followup note/idea/question in meetings. Been using it for years for private offline note-taking for work. There are a lot of fancier note taking tools but I keep going back to Zim. NEW! Track Presets store both track and channel parameters to recall for later use, and are even compatible with groups of Tracks or Folder Tracks.Basic video editing features include: cut/copy/paste, slip, time and edit locks, ripple, duplicate, and replace. NEW! Global Video Track provides an intuitive video workflow with a familiar drag and drop functionality.NEW! 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We are gonna explore the main categories of data recovery like data recovery from iPhone, best data recovery software, etc. Got a lot of data and information on your device and want to know how you can recover it just in case it gets lost? Or already lost them and are desperate to recover those files in any way possible? Either Way, this post is for you. Yet even as Hillary Clinton continues to speak out, Bill is conspicuously absent from the 2020 Democratic primary campaign, effectively banished to exile in the #MeToo era. His energy comes through the expressions of his mouth and his eyes. He has ‘the glint’ and he can’t help himself. On Bill Clinton, she says: “When he’s interested in a subject and he’s talking about it to a woman, there’s a different energy that comes across. You know what I mean.”Īs has become clear by now, a conversation with Simon is an exercise in six degrees of separation. Not that the men who go overboard and disrespect a woman are acting like men. But I think at this point it’s just dangerous for men to act like men. “I’m a woman and I’ve been subject to that and there was the casting couch in a number of cases in my life that I was harmed by. “Not that I want anybody to shut up or to not tell it like it is, but it also feels a little bit unnatural for me that men can’t say a flattering thing to a woman without there being a possible reckoning. “I welcome it and now I hope that it will go back to a position where things will be normalised,” she says. There aren’t as many of them as men who are in powerful positions to do it, but I’m sure that it’s probably being done by women as we speak.” She adds mischievously: “I can see 10 of them right now seducing young boys, saying that they’ll pay them.”Īnd yet she has gnawing doubts about the #MeToo movement. “Maybe the time will come when we women who have been raped financially will be on the record to talk about that because I know a lot of other women who have been screwed. It was just that you’re not supposed to talk about it. I wrote about it for this book: I wrote about the various experiences that I’ve just talked to you about, and my editors, all of whom are men, said: ‘No, don’t write about that.’ I don’t blame them for that. Photograph: Richard E Aaron/Redfernsīut the way in which Weinstein, and others, took advantage of her still rankles: “I think that stealing from one financially may be one step below sexually. Simon and James Taylor, to whom she was married for 10 years. I can just see him in all the scenes that are painted of him with the women. How did Weinstein get away with so much for so long? “Well, people obviously were so intimidated by his power and wanted to be on the receiving end of what one maybe thought of as largesse, that maybe there was goodwill behind all of his seduction. I couldn’t not do it because everybody turned around to look at me in the theatre and there I was.” Sing Anticipation.’ The guitar was out of tune and one of the strings was off it. “At the end of it, Harvey had the nerve to get this cheap guitar from somewhere and bring it to me in the theatre seat and say: ‘Sing now. Weinstein brought his film Paris, Texas for a screening attended by the president, first lady Hillary Clinton and guests including Simon. There was another incident at Camp David, the US presidential country retreat, the weekend before Bill Clinton’s impeachment hearings. “I hired musicians and scored the movie and, at the recording session, I said: ‘Well, how shall I get paid?’ He said: ‘Well, we’ll figure it out later,’ and he never followed up.” “He asked me to score a movie that his wife at the time had made, a little Japanese cartoon, and so I did it in good faith,” she recalls. Simon alleges that she, too, was abused by the disgraced Hollywood producer – not sexually, but in other humiliating ways. I don’t know that for sure, but also I’ve been abused in other ways and by some of the same people that Ronan Farrow talks about in his book.”įarrow, an investigative journalist and friend of Simon, has just published Catch and Kill, about his quest to uncover numerous sexual assault allegations against Harvey Weinstein. Do I think it would have happened now? The awareness of it might have prevented it. “It was just an awful thing to have happened. “I think it’s changed me for ever and there was nobody around who could possibly have believed the stories I would have told,” she says. An abusive relationship continued until she was about 14. When she was seven, Simon was sexually exploited by a 16-year-old boy. Photograph: Paul R Benoit/APīoth her memoirs are searingly frank. |